Fight the disease of globalized corporate capitalism

Fight the Disease, Not the Symptoms

Mr. Fish / Truthdig

The disease of globalized corporate capitalism has the same effects across the planet. It weakens or destroys democratic institutions, making them subservient to corporate and oligarchic power. It forces domestic governments to give up control over their economies, which operate under policies dictated by global corporations, banks, the World Trade Organizationand the International Monetary Fund. It casts aside hundreds of millions of workers now classified as “redundant” or “surplus” labor. It disempowers underpaid and unprotected workers, many toiling in global sweatshops, keeping them cowed, anxious and compliant. It financializes the economy, creating predatory global institutions that extract money from individuals, institutions and states through punishing forms of debt peonage. It shuts down genuine debate on corporate-owned media platforms, especially in regard to vast income disparities and social inequality. And the destruction empowers proto-fascist movements and governments.

These proto-fascist forces discredit verifiable fact and history and replace them with myth. They peddle nostalgia for lost glory. They attack the spiritual bankruptcy of the modern, technocratic world. They are xenophobic. They champion the “virtues” of a hyper-masculinity and the warrior cult. They preach regeneration through violence. They rally around demagogues who absolve followers of moral choice and promise strength and protection. They marginalize and destroy all individuals and institutions, including schools, that make possible self-criticism, self-reflection and transcendence and that nurture empathy, especially for the demonized. This is why artists and intellectuals are ridiculed and silenced. This is why dissent is attacked as an act of treason.

These movements are also deeply misogynistic. They disempower girls and women to hand a perverted power to men who feel powerless in the global economy. They blame ethnic and religious minorities for the national decline. They foster bizarre conspiracy theories. And they communicate in the Orwellian newspeak of alternative facts. They claim the sole right to represent and use indigenous patriotic and religious symbols.

India, built on the foundations of caste slavery, has become one of many new neofeudal states, among them Turkey, Poland, Russia and the United States. Its neofeudal structure continues to carry out atrocities against Dalits—the former “untouchables”—and now increasingly against Muslims. India’s Prime Minister Narendra Modi, who as the chief minister of the western Indian state of Gujarat oversaw a vicious anti-Muslim pogrom, has defended sectarian discrimination and violence even though this year he made a tepid declaration that “[w]e will not tolerate violence in the name of faith” and issued other unconvincing appeals for religious peace. As prime minister he has employed threats, harassment and force to silence those who decry human rights abuses and atrocities carried out in India. He attacks his critics as “anti-national”—the equivalent of “unpatriotic” in the United States.

Modi, like his fellow demagogues in other parts of the world, including Donald Trump, speaks in the language of moral purity and promotes self-serving historical myth. Indians who eat beef—a huge number—are targeted, school history books are being rewritten to conform to right-wing Hindu ideology and its open admiration for fascism, and entertainers considered too political or too salacious are under attack.

There are within America’s corporate power structures individuals, parties and groups that find the hysterical, imbecilic and irrational rants of demagogues such as Trump repugnant. They seek a return to the polished mendacity of politicians such as Hillary Clinton and Barack Obama. They hope to promote the interests of global capitalism by maintaining the fiction of a functioning democracy and an open society. These “moderates” or “liberals,” however, are also the architects of the global corporate pillage. They created the political vacuum that the demagogues and proto-fascist movements have filled. They blind themselves to their own complicity. They embrace their own myths—such as the belief that former FBI Director James Comey and the Russians were responsible for the election of Trump—to avoid examining the social inequality that is behind the global crisis and their defeat.

The 400 richest individuals in the United States have more wealth than the bottom 64 percent of the population, and the three richest Americans have more wealth than the bottom 50 percent of the U.S. population. This social inequality will only get worse as the weak controls that once regulated the economy and the tax code are abolished or rewritten to further increase the concentration of wealth among the ruling oligarchs. Social inequality at this level, history has shown, always results in these types of pathologies and political distortions. It also, potentially, presages revolution.

The short-term political and economic gains made by the Democratic Party and liberal class in the last few decades came at the expense of the working class. The liberal class, because of its complicity in globalization, has destroyed its credibility as well as the credibility of the “liberal” democratic values it claims to represent. Enraged workers, lied to for decades by “liberal” politicians such as Bill and Hillary Clinton and Obama, delight in Trump’s crude taunts and insults directed at the power structure and elites they loath. Many Americans are perhaps aware that Trump is a con artist, but he at least appears to share their disdain for the “liberal” elites who abandoned them.

It will eventually become apparent to some, perhaps many, of Trump’s supporters that he is cravenly in the service of the 1 percent and has turbocharged the corporate kleptocracy. The Democratic Party, busy purging Bernie Sanders supporters from its ranks, is banking on this epiphany to revive its political fortunes. The Democratic leadership has no real political strategy, other than to hope that Trump implodes. They are backing and funding opposition movements such as Indivisible and the women’s marches, as well as the witch hunt about Russian interference in the 2016 U.S. presidential election, all of which have as their sole focus removing Trump and restoring the Democratic Party to power. This form of resistance is sterile and useless.

But there are other resistance movements—the most prominent being the battle by the water protectors at Standing Rock to block the Dakota Access pipeline—that attack the disease. It is easy to tell the resistance from the faux resistance by the response of the state. During the women’s marches, Democrats, including Debbie Wasserman Schultz, were honored participants. The police were usually courteous and helped facilitate the marches; arrests were few and coverage by the corporate press was sympathetic. In contrast, during the long encampment at Standing Rock, which took place under the Obama administration, the nonviolent resisters were physically attacked by police, the National Guard and private security contractors. These forces used dogs, pepper spray, water cannons in subzero temperatures, sound machines, drones, armored vehicles and hundreds of arrests in their efforts to destroy the resistance.

Attack the symptoms and the state will be passive. Attack the disease and the state will be ruthless.

Once Trump’s base begins to abandon him—the repression in Turkey under President Recep Tayyip Erdoğan is a good example of what will happen—the political landscape will turn very ugly. Trump and his allies, in a desperate bid to cling to power, will openly stoke hate crimes and violence against Muslims, undocumented workers, African-Americans, progressives, intellectuals, feminists and dissidents. He and his allies on the “alt-right” and the Christian right will move to silence all organs of dissent, including corporate media outlets fighting to restore the patina of civility that is the window dressing to corporate pillage. They will harness the power of the nation’s substantial internal security apparatus to crush public protests and to jail opponents, even those who are part of the faux resistance.

Time is not on our side. If we can build counter-capitalist movements that include the working class we have a chance. If we can, like the water protectors at Standing Rock, mount sustained acts of defiance in the face of severe state repression, we have a chance. If we can organize nationwide campaigns of noncooperation we have a chance. We cannot be distracted by the symptoms. We must cure the disease.

Chris Hedges
Columnist
Chris Hedges is a Pulitzer-Prize winning journalist, New York Times best selling author, former professor at Princeton University, activist and ordained Presbyterian minister. He has written 11 books,…
Mr. Fish
Cartoonist
Mr. Fish, also known as Dwayne Booth, is a cartoonist who primarily creates for Truthdig.com and Harpers.com. Mr. Fish’s work has also appeared nationally in The Los Angeles Times, The Village Voice, Vanity…
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US brands RT a “foreign agent:” A chilling move against free speech

11 November 2017

On Thursday, RT America, the US-based subsidiary of RT (formerly known as Russia Today), announced that it would, under pressure from the United States government, register as a “foreign agent” under the Foreign Agents Registration Act (FARA).

The Justice Department’s demand that RT register as a “foreign agent” is aimed at delegitimizing RT as a news source, intimidating its journalists and guests, and setting the precedent for taking similar actions against other news outlets.

The US government has given no public justification for its demand, which will require that RT America provide information on its finances and on individuals involved in directing the news outlet. RT clearly reflects the views of the Russian government and avoids criticism of the Putin regime. However, the US has made no similar demand in relation to other outlets that have government financing and backing—the BBC, for example. Moreover, the United States operates a vast network of news agencies that work, officially and unofficially, to promote the interests of the American ruling class all over the world.

The US government’s motivations are entirely political, bound up with the effort to present all opposition within the United States as the product of the actions of Russia. In its reporting, whatever its reasons may be, RT provides a platform for voices critical of the policy of the American government.

The United States outlined the political reasons for moving against the broadcaster in the January 6, 2017 report by the US Director of National Intelligence on “Russian intervention” in the 2016 elections.

The report alleged, “RT broadcast, hosted, and advertised third-party candidate debates and ran reporting supportive of the political agenda of these candidates. The RT hosts asserted that the US two-party system does not represent the views of at least one-third of the population and is a ‘sham.’”

The Director of National Intelligence report further denounced favorable coverage by RT of the Occupy Wall Street movement, declaring, “RT framed the movement as a fight against ‘the ruling class’ and described the current US political system as corrupt and dominated by corporations.”

More recently, US politicians—led by the Democratic Party—have developed a narrative that Russia, through outlets like RT, has worked to “sow divisions” within the United States, as if the American people need RT to know that the political system is corrupt and dominated by corporations.

The campaign has been used to demand a regime of Internet censorship, with technology giants including Google, Facebook and Twitter taking measures to block or demote content from a broad range of websites.

Earlier this month, Google removed RT from its list of “preferred” channels on YouTube, while Twitter blocked all advertising by the channel. In addition to its crackdown on RT, Google has made sweeping changes to its search engine and news service that have dramatically slashed traffic to left-wing, antiwar and progressive web sites, including the World Socialist Web Site, which has had its search traffic from Google fall by 74 percent since April.

Precisely because of its ties to the Russian government, the US State Department has chosen it as its first target in its drive to persecute, criminalize and ultimately outlaw all oppositional journalists.

Will RT’s hosts, including Pulitzer Prize winner Chris Hedges and veteran interviewer Larry King also be forced to register as “foreign agents?” Will all of RT’s guests, which have included prominent left-wing journalists, politicians, academics, and even celebrities, get a knock on their door demanding that they file paperwork with the Justice Department? Will all of these individuals now be opened to questioning about their collaboration with a “hostile foreign power”?

This month, an organization calling itself the European Values Think-Tank, funded by the US embassy and foundations associated with billionaire George Soros, published just such a list, including the names of 2,300 RT guests, grouped into US and UK politicians, journalists, academics, and celebrities. These individuals are, according to the think-tank, “useful idiot[s]” for a “hostile foreign power.”

The list includes journalists Julian Assange, Max Blumenthal, Seymour Hersh, Jeremy Scahill, Ed Schultz, and Matt Taibbi, as well as the academics Noam Chomsky and Stephen Cohen, together with actor Russell Brand and filmmaker Oliver Stone.

Amid soaring social inequality and an ever-escalating military buildup, the US government is moving to silence any alternative to its closely monitored and vetted establishment media outlets, including the major newspapers and broadcast networks.

The fact that RT is being targeted because of its political positions sets an ominous precedent. It means that “foreign propaganda” is being defined by political views, laying the groundwork for a much broader range of news outlets to be labeled as promoting “Russian propaganda,” blacklisted, and ultimately criminalized.

Andre Damon

http://www.wsws.org/en/articles/2017/11/11/pers-n11.html

Google Is Boosting All Manner of Fake News About the Texas Church Massacre

MEDIA
A search finds the site has been supplying ads to right-wing conspiracy theorists.

Photo Credit: turtix / Shutterstock.com

Google is continuing to allow the monetization of fake news via its advertising network AdSense, this time surrounding the November 5 mass shooting in Sutherland Springs, TX. Advertising networks Revcontent and content.ad are also featuring advertisements on fake news stories about the attack.

On November 5, a gunman opened fire and killed at least 26 people at a church in Sutherland Springs, TX. The alleged gunman, Devin Patrick Kelly, was court martialed while in the Air Force in 2012 on charges of “assaulting his wife and child” and has been accused of stalking ex-girlfriends. Law enforcement officers are now saying that the shooting was related to “a domestic situation.”

Media Matters search found that Google’s AdSense supplied advertisements for many websites pushing the fake news that Kelly was a member of the antifascist group antifa, with many seeming to base their pieces on a fake news article from prominent fake news website YourNewsWire. Those websites included Real FarmacyUSN Politicsmyinfonews.netClear PoliticsSBVNewsRedStateWatcher, and TruthFeed.

Some of these websites that were using AdSense, such as Clear Politics and SBVNews, also carried advertisements from content.ad, while TruthFeed also featured advertisements from Revcontent. Other websites not using AdSense that pushed the baseless claim, such as Conservative FightersThe Conservative Truth, and borntoberight.com, featured advertisements from Revcontent or content.ad instead, including the YourNewsWire piece (that article went viral, drawing at least 235,000 Facebook engagementswithin almost 24 hours of the attack, according to social media analytics website BuzzSumo, and was shared on gun parts manufacturer Molon Labe Industries’ Facebook page).

Another false claim about the shooting came from Freedum Junkshun, a “satire” website run by a man whose made-up stories have been used by fake news websites to misinform. It claimed that the shooter “was an atheist” on the payroll of the Democratic National Committee. That article was funded via advertisements from both AdSense and content.ad. And fake news website Freedom Daily, which has repeatedly violated AdSense’s rules against race-based incitement of hatred, published the false claim that the shooter was a Muslim convert named Samir Al-Hajeed. AdSense advertisements funded that article.

It isn’t just Google’s advertising service that is struggling with how to handle fake news; among the top Google search results of Kelly’s name following the attack were tweets and a video that also baselessly claimed he was a member of antifa. YouTube, which Google owns, also prominently featured a video pushing the false claim as one of the top results for the alleged shooter’s name.

In early November, a Google senior executive testified before Congress that the company had “taken steps” to demonetize misrepresentative websites. Yet the fact that multiple websites are using AdSense to monetize misinformation about the Texas mass shooting via AdSense signals otherwise. Indeed, AdSense, along with Revcontent and content.ad, have generally become the advertising networks of choice for those who push fake news. And this comes amid continuing criticism of Google’s inability to not feature misinformation during or after crisis events. These companies clearly have a long way to go to fix their misinformation problem.

https://www.alternet.org/media/google-boosting-all-manner-fake-news-about-texas-church-massacre?akid=16330.265072.T3oS4c&rd=1&src=newsletter1084951&t=14

Former DNC head Donna Brazile raises new questions over killing of Seth Rich, says she feared for her life

By Andre Damon
8 November 2017

A series of statements by Donna Brazile, the former interim chairperson of the Democratic National Committee, has once again raised questions about the death of Democratic Party staffer Seth Rich on July 10, 2016.

Rich, then 27, had served as data director of voter expansion for the Democratic National Committee (DNC) since 2014. He was shot about a block from his apartment in the Bloomingdale neighborhood of Washington, DC.

Rich was killed by two gunshot wounds to the back, in a murder case that remains unsolved. Police were quick to declare his murder a botched robbery, despite the fact that none of his possessions had been taken. He was killed two weeks before WikLeaks began publishing emails leaked from the DNC.

In her new book, Hacks: The Inside Story of Break-ins and Breakdowns that Put Donald Trump in the White House, and in interviews over the past several days, Brazile has said that she feared for her life after the murder of Rich.

Brazile appeared Sunday on ABC’s “This Week” to discuss her book, in which she alleges that the Clinton campaign exercised inappropriate authority over the Democratic National Committee prior to Clinton’s selection as the nominee.

Asked by moderator George Stephanopoulos about her critics within the Democratic Party, Brazile told them to “go to hell.” She went on, “And I say go to hell because, why am I supposed to be the only person that is unable to tell my story?

“I have heard a lot of people tell me various things as well. But here’s what they don’t know… They don’t know what it’s like to bury a child. I did, Seth Rich.”

Asked by Stephanopoulos, “You mentioned Seth Rich who, of course, was killed during the campaign. Did you feel under threat?” Brazile responded, “Every day,” adding, “My house right now is—I got every different kind of security device. I had to get my home swept. I had to get the DNC swept twice. It was horrible.”

Much of Brazile’s book is devoted to a criticism of the Clinton campaign’s “data-driven” approach, which prioritized targeted advertising over traditional, on-the-ground campaigning and voter expansion efforts. Her focus on this issue would have made her relationship with Rich, the staffer in charge of voter expansion data, close.

Brazile’s close relationship with Rich makes clear that he was not a “low-level” staffer, as he has generally been described. He was clearly a significant figure in the DNC. Brazile includes Rich among those to which the book is dedicated, calling him “my DNC colleague and patriot, Seth Rich.” She reports that Rich’s death “made [people in the DNC office] feel unsafe.”

In her book, Brazile strongly implies that the FBI carried out an investigation of Rich’s murder, which the agency has up to this point denied. “The FBI said that they did not see any Russian fingerprints there,” Brazile writes, “but they promised to look into the case.”

Brazile advances several possible motives for his murder. She speculates that Rich might have been killed by the “Russians,” writing, “With all I knew now about the Russians’ hacking, I could not help but wonder if they had played some part in his unsolved murder.”

At another point, she speculates that Rich may have been killed by an opponent of the Democratic Party. “All I could think about was Seth Rich. Had he been killed by someone who had it out for the Democrats? Likely not, but we still didn’t know,” she writes.

Brazile refers only briefly to statements from WikiLeaks founder Julian Assange, who indicated that Rich may have been the source of the leaked DNC emails, raising the possibility that he had been murdered as a result. Brazile notes that “a Dutch television interviewer asked Julian Assange about Seth’s death. On the tape I saw of the interview, Assange fueled a conspiracy theory. He dropped his smirk and said, ‘Our sources take risks.’ Assange was implying that Seth was a source for WikiLeaks!…”

WikiLeaks subsequently offered a reward for information leading to the conviction of Rich’s killers.

Over the course of the past year, the New York TimesWall Street Journal and Washington Post have repeatedly denounced any deviation from the official narrative that Rich’s murder was a “failed robbery” as “fake news” and a “conspiracy theory.”

Regardless of who Brazile speculates may have been behind the killing, one of the highest-ranking Democratic Party operatives believes that there may have been a political motive for Rich’s death. Why then have the major newspapers denounced anyone who has sought a political explanation for his death?

WSWS

 

Remembering Fats Domino

By Hiram Lee
4 November 2017

Singer-pianist Fats Domino died October 24 at the age of 89. He was one of the greats of early rock ‘n’ roll, and probably the best pianist among those early performers. He was also among the first of them to record. Domino’s records appeared just prior to the emergence of Little Richard and well before Chuck Berry, Elvis Presley or Jerry Lee Lewis.

Fats Domino in 1962

Fats was born Antoine Dominique Domino Jr. on February 26, 1928 in New Orleans. His grandmother, a former slave, served as midwife during his birth. His parents were Creoles with roots in Haiti. Just prior to Domino’s birth, they had relocated to the Lower Ninth Ward of New Orleans after working the sugarcane plantations around Vacherie, Louisiana. The family spoke French Creole at home and this was Domino’s first language.

Domino did not receive much formal education. He quit school by the fourth grade and immediately went to work as the helper of an ice delivery man. His minimal education and the poverty in which he lived prior to his success as a musician appear to have had a lasting impact on Domino. The future star was also teased a lot for his size and the poor clothes that he wore. A shyness and sense of inadequacy haunted him for much of his life. He perhaps felt himself unsophisticated, though he was an enormously talented artist. He was reluctant to speak his mind in interviews and was more reclusive than other rock ‘n’ rollers of his day.

Domino was working at the Crescent City Bed Factory when his lifelong love of music finally presented the possibility of a career behind the piano instead of the machine. While playing music locally in the evenings, Domino had the good fortune to encounter and form a lasting bond and musical partnership with Dave Bartholomew, the remarkable songwriter, producer and bandleader. Bartholomew wrote or co-wrote much of Domino’s music and provided him with a team of outstanding musicians, including saxophonist Herbert Hardesty and drummer Earl Palmer who brought New Orleans second-line and parade-style drumming to his sound.

Fats Domino is best known today for a string of hits recorded in the mid-to-late 1950s, including “Ain’t That a Shame,” “I’m Walkin’,” “Blueberry Hill,” “Blue Monday” and “Walking to New Orleans.” These songs were enormously popular. Domino sold an astonishing 65 million records during his career and had dozens of Top 40 hits. In terms of sales, airplay and audience size, he was second only to Elvis Presley among the early rock pioneers. Presley, it’s worth noting, was an ardent admirer of Domino’s work and spoke frequently of the latter’s influence on his own music. The two became friends when they were both performing in Las Vegas during the late 1960s.

Domino’s signature tune “Blueberry Hill” was the unlikeliest of rock ‘n’ roll hits. Written by Vincent Rose, Larry Stock and Al Lewis, it was first recorded by cowboy singer Gene Autry in 1940. It subsequently became a hit for the Glenn Miller Orchestra, which billed it as a Fox Trot. Louis Armstrong sang a version in 1949. But once Domino got his hands on it, the tune became “a Fats Domino song” and always will be that.

Fats Domino in 1956 on The Ed Sullivan Show

Apart from “I’m Walkin’” and the exciting “I’m Ready,” most of these late-50s hits were slow, easy going numbers with Domino pounding out his famous rolling triplets of chords at a fairly relaxed tempo. Domino sang his lyrics in a similarly easy-going manner, in a voice that recalls those one hears when people get a few drinks in them and start explaining life to one another. This was a stark contrast to the more energetic and “threatening” performers of early rock.

Domino’s earlier material, recorded from 1949 onward, too often goes unheard today. It is worth exploring. Domino is more exciting here, his piano playing even more impressive. In those days, Domino sang in a big bright voice and often used it to imitate harmonica solos. He proved himself to be a more versatile and inventive pianist than either Little Richard or Jerry Lee Lewis. Early songs like “Fat Man,” “Detroit City Blues” and “Domino Stomp” showcase his singing and exquisite piano playing in a way that his later, more famous songs never quite did.

Even now, these and other rock ‘n’ roll classics continue to inspire and excite with each listening, decades after they were first recorded. They have in them some of the confidence and energy of young people in postwar America, when it seemed as though a new generation of kids might actually have an easier life than their parents had. Things were changing. Living standards were improving. Racial barriers were also being challenged. Rock ‘n’ roll brought together “black” R&B and “white” country music and the audiences that went along with them.

Domino’s music captured some of the more relaxed moods of the period when there was, for a brief time at least, some room to stretch out. That looseness and openness is extremely appealing, along with the great forward thrust of so much of that music.

As rock ‘n’ roll became “rock music” and tastes changed in later years, one heard less and less from Fats Domino. His last song of note was probably a 1968 version of The Beatles’ “Lady Madonna,” which had been written by Paul McCartney as a kind of homage to Domino in the first place. While he was a bigger star than many of his contemporaries during the 1950s, Domino tends to be a bit overlooked today.

The 2005 Hurricane Katrina disaster brought him back into the public eye. Domino was still living in the Lower Ninth Ward at the time. He remained in his home prior the storm’s arrival. Friends and relatives lost touch with him and assumed the worst. His home was flooded, and he lost many of his possessions, including a grand piano. But Domino survived, though initial reports had suggested otherwise. Someone even painted the words “RIP Fats. You will be missed” on the outside of his home sometime after the Coast Guard rescued him. The news that Domino had been a victim of the flood somehow epitomized the horror of the situation as the US government left the city of New Orleans to drown, along with its rich cultural heritage.

After this, Domino recorded a final album, Alive and Kickin’. Proceeds went to provide aid for other musicians affected by Katrina.

Fats Domino was a wonderful musician. He was forgotten for too many years, as he lived in relative obscurity in New Orleans, long after the heyday of rock ‘n’ roll. He deserves to be remembered… and listened to.

http://www.wsws.org/en/articles/2017/11/04/fats-n04.html

The Democrats’ McCarthyite witch hunt

3 November 2017

This week’s congressional hearings on “extremist content” on the Internet mark a new stage in the McCarthyite witch hunt by congressional Democrats, working with the intelligence agencies and leading media outlets, to legitimize censorship and attack free speech on the Internet.

One after another, congressmen and senators goaded representatives of Google, Twitter and Facebook to admit that their platforms were used to sow “social divisions” and “extremist” political opinions. The aim of this campaign is to claim that social conflict within the United States arises not from the scale of social inequality in America, greater than in any other country in the developed world, but rather from the actions of “outside agitators” working in the service of the Kremlin.

The hearings revolved around claims that Russia sought to “weaponize” the Internet by harnessing social anger within the United States. “Russia,” said Democratic Congressman Adam Schiff, promoted “discord in the US by inflaming passions on a range of divisive issues.” It sought to “mobilize real Americans to sign online petitions and join rallies and protests.”

The McCarthyite witch hunts of the 1950s sought to suppress left-wing thought and label all forms of dissent as illegitimate and treasonous. Those who led them worked to purge left-wing opinion from Hollywood, the trade unions and the universities.

Likewise, the new McCarthyism is aimed at creating a political climate in which left-wing organizations and figures are demonized as agents of the Kremlin who are essentially engaged in treasonous activity deserving of criminal prosecution.

To this end, the congressional witch-hunters released a series of “Russia-linked” social media posts expressing opposition to police violence and social inequality. These were meant to serve as “smoking gun” examples of how Russia worked to sow social divisions within the US.

The argument that it takes a Vladimir Putin to divide the United States is, frankly, laughable. So far this year there have been 273 mass shootings in which four or more people were killed. More than 1,000 people are killed by police every year.

The United States is bursting at the seams with social discontent. Inequality, war, the pressures caused by poverty-wage jobs—all are sources of enormous social anger.

The Democrats’ absurd narrative stems from their attempt to rationalize away their disastrous defeat in the 2016 election, blaming it on a Kremlin-backed conspiracy instead of their own indifference to the social misery that pervades the country.

At Wednesday’s hearings, Schiff declared that the problem is “not just foreign” and complained that the algorithms used by social media companies “tend to accentuate content that is fear-based or anger-based.”

“That helps it pick up an audience and go viral and be amplified,” he said, with the consequence of “widening divisions among our society.”

When was the last time Schiff or any of his colleagues held a hearing on the real sources of division and social discontent in America? Are they holding hearings on the soaring wealth of the financial elite, on the criminal conduct of the wars in Afghanistan or Syria? No, Schiff’s concern is to prevent the people from learning anything that would fuel their “anger.”

To this end, he asked representatives of Facebook, Twitter and Google what “societal obligation” they have to change the fact that “what ends up percolating to the top of our feeds tends to be things we were looking for.”

In this statement, Schiff makes clear the real content of the Democratic Party’s furor about “fake news” and “Russian meddling.” What concerns Schiff and his colleagues is not “fake news,” but true news that goes “viral” and gets “amplified” because it reflects popular anger.

The problem, according to Schiff and his fellow congressional witch-hunters, is that people looking for politically critical viewpoints can actually find them on the Internet, as opposed to what they find in the corporate-controlled newspapers and TV broadcasters.

Amid soaring social inequality, a spiraling political crisis and the continuous threat of nuclear war, millions of people have grown justifiably hostile to the capitalist system and the political establishment. The immense popularity of the Internet reflects the fact that it provides people with the chance to obtain information that news outlets such as the New York Times, working with the intelligence agencies, seek to keep from them.

The ruling elite sees the combination of social disaffection and the unlimited access to information provided by the Internet as an existential threat that must be combated through censorship. As Clint Watts, a former US Army officer and FBI agent, put it at Tuesday’s hearing before the Senate Judiciary Committee: “Civil wars don’t start with gunshots, they start with words. America’s war with itself has already begun. We all must act now on the social media battlefield to quell information rebellions… Stopping the false information artillery barrage landing on social media users comes only when those outlets distributing bogus stories are silenced—silence the guns and the barrage will end.”

The fact that censorship is spoken of so openly means that a major intensification is coming. The American ruling elite, to use the words of Watts, believes it is already engaged in a civil war with its own population and is more than willing to use censorship to “silence” sources of “rebellion.”

Google, Facebook and Twitter are already engaged in censorship, each of them announcing that they are hiring “thousands” of people to moderate and review content. Earlier this month, Google removed from its list of “preferred” channels on YouTube the Russian-sponsored TV station and online news outlet RT, which reports stories largely censored by the mainstream press. Twitter likewise blocked RT from using its advertising service.

In April, Google implemented a change to its search algorithm that slashed traffic to left-wing, antiwar and progressive websites by more than 55 percent. Last month, it removed almost all pages from the World Socialist Web Sitefrom its news service, Google News, together with articles from leading left-wing journalists such as Pulitzer Prize winner Chris Hedges.

This drive to destroy freedom of speech must be opposed! It is the spearhead for the dismantling of democratic rights not just in the United States, but all over the world.

Andre Damon

WSWS

May a word be spoken on behalf of Kevin Spacey?

By David Walsh
1 November 2017

American actor Kevin Spacey is one of the most gifted and significant performers of his generation. He has been nominated more than 80 times for awards for acting in film, television and theater. Spacey has won over 50 awards, including two Academy Awards, a Tony Award and a Golden Globe Award. He has also been nominated for a Grammy Award, as well as eleven Primetime Emmy Awards.

Kevin Spacey

Born in 1959 into a lower middle-class family in South Orange, New Jersey and having grown up in southern California, Spacey attended the Julliard School from 1979-81. His first professional acting work was with the New York Shakespeare Festival, in a small part in Henry VI, Part 1, in 1981. His initial Broadway appearance came in Henrik Ibsen’s Ghosts, featuring Liv Ullmann, in 1982. He made his film debut in Mike Nichols’ Heartburn in 1986.

In one of his first substantial acting efforts, Spacey performed in director Jonathan Miller’s version of Eugene O’Neill’s Long Day’s Journey into Night in 1986, which starred Jack Lemmon. Spacey was to appear with Lemmon, whom he considered a mentor and to whom he became close, on a number of occasions. They both featured in The Murder of Mary Phagan (1988), a television miniseries about the infamous 1913 Leo Frank case, and the film version of David Mamet’s caustic play about the real estate trade, Glengarry Glen Ross (1992). In 1991, Spacey played famed lawyer and civil libertarian Clarence Darrow in a television movie (Darrow).

Spacey came to national and international prominence in the mid-1990s, in such films as Swimming with Sharks (1994), The Usual Suspects (1995) and Se7en (1995). By the time he received an Academy Award for Sam Mendes’s American Beauty (1999), the versatile Spacey had become one of the most recognizable American movie actors. He continued his film work into the new century, co-writing, co-producing, directing and starring in Beyond the Sea(2004), about singer Bobby Darin.

Spacey had meanwhile become involved in the theater in London. In 2003, he announced his plan to become the artistic director of the Old Vic, one of the city’s oldest theaters. He undertook to remain in the position for 10 years and to attract performers to the theater and appear in various productions.

True to his word, in 2005, for example, Spacey played the title role in Shakespeare’s Richard II, directed by Trevor Nunn. The following year he appeared at the Old Vic in O’Neill’s A Moon for the Misbegotten. Other plays in which he performed there included Inherit the Wind (Jerome Lawrence and Robert Edwin Lee), Mamet’s Speed-the-Plow, Maria Goos’ Cloaca, Shakespeare’s Richard III and a single-character play by David Rintels, Clarence Darrow. A new artistic director took over from Spacey in 2015.

In recent years, Spacey has made a new name for himself as Frank Underwood, the conniving and conspiratorial South Carolina politician, in the Netflix series, House of Cards (2013-17). Whatever Spacey’s own political illusions (he considers himself a friend of former president Bill Clinton), the Underwood character has done a good deal to undermine illusions in the corrupt, murderous world of Washington politics.

Spacey brings considerable intelligence and depth, combined often with irony and slyness, to both classical and popular genres. Is there any question but that film, television and theater would have been tangibly poorer without his presence over the past quarter-century?

Now, at least for the time being, Spacey’s career lies in ruins. On Sunday, actor Anthony Rapp, for reasons best known to himself, accused Spacey in an interview of making sexual advances to him some thirty years ago when he was 14 and Spacey was 26.

The accusation comes in the midst of escalating charges of sexual harassment and abuse set off by the allegations by numerous women against Harvey Weinstein and various others, including writer-director James Toback.

In his statement, Spacey said, “I honestly do not remember the encounter, it would have been over 30 years ago. But if I did behave as he describes, I owe him the sincerest apology for what would have been deeply inappropriate drunken behavior, and I am sorry for the feelings he describes having carried with him all these years.”

He continued, “As those closest to me know, in my life, I have had relationships with both men and women. I have loved and had romantic relationships with men throughout my life, and I choose now to live as a gay man.”

Not only is Spacey being denounced for his actions several decades ago, he is also being criticized for the decision to acknowledge his sexual orientation at the same time he apologized for the alleged offense.

With characteristic bravery, Netflix first announced that the sixth season of House of Cards, currently under production, would be its last, claiming that the cancellation had nothing to do with Spacey’s difficulties. On Tuesday Netflix and Media Rights Capital, the series’ production company, announced that filming on the sixth season itself had been suspended. Their press announcement explained that the suspension would last “until further notice” and that the two companies needed “time to review the current situation and to address any concerns of our cast and crew.” They are no longer pretending that the allegation about Spacey is not causing the series’ hold-up.

The International Academy of Television Arts and Sciences announced that it was withdrawing the special International Emmy Founders Award it was planning to bestow on Spacey at a ceremony November 20 “in light of recent events.” And more is undoubtedly to come.

The Old Vic was quick to throw Spacey to the wolves, issuing a statement indicating that “we are deeply dismayed to hear the allegations levied against Kevin Spacey… Inappropriate behaviour by anyone working at The Old Vic is completely unacceptable.”

The current public flogging of Spacey is as shameful as it is disgusting. The incident that allegedly occurred more than three decades ago should not have happened. Even if he is culpable of improper behavior, however, that in no way justifies the current vindictive, gleeful effort to rub him out, a campaign that a Frank Underwood might well have mapped out.

The universal piling on, sanctimonious commentary and hypocritical tweets (“Twitter slams Kevin Spacey,” according to Salon) are difficult to bear. In terms of the media, there is not much to choose from between fascistic Breitbart News, warming its hands over the allegations against gay or liberal and often Jewish Hollywood, and the New York Times, with its salacious and degenerate editors.

The Times writes approvingly of “those who might have supported him [but] were instead incensed by the implication that his sexuality was relevant to” Rapp’s accusations. “They saw his coming out story as an intentional distraction from the accusation and a damaging conflation of homosexuality and pedophilia.”

We live once again in an era of denunciations, which have the power to wreck lives overnight. And everyone is expected to chime in. Those who do not do so become suspect themselves and are liable to be denounced. Careers, status and wealth are on the line. The threat of being out of the limelight terrifies actors, directors and producers in the US perhaps more than anything.

In the official narrative, there is an almost complete absence of understanding and elementary sympathy. The accused is a criminal, a monster, who must be destroyed.

Hollywood is a competitive hothouse, where at the best of times a deeply subjective atmosphere prevails that is ripe for this sort of scandal. Now it’s payback time. Frankly, career disappointments, relationships that failed and a host of other frustrations and jealousies fuel the frenzy. Old scores of various sorts, including financial ones, are being settled, and new business arrangements formed in the midst of all this. The canny are sizing up how money is to be made under conditions of the “new morality.”

Sex scandals have invariably been the province of the far right. Nothing remotely progressive will come out of this. A revived Production Code, a clampdown on “licentiousness” in films and filmmaking (which is always accompanied by the suppression of oppositional views), more powers to the censors, appointed and self-appointed—this is what’s likely to emerge at the other end of this miserable process. The dominance of power and wealth, the source of the real abuses and crimes, goes untouched.

Once again it’s “scoundrel time.” The film world, it is clear now, has learned nothing from the McCarthyite period. The same essential modus operandi is at work: the naming of names, the guilt by association, witnesses who can’t be questioned, the right-wing forces who weigh in, the studios that instantly blacklist those accused.

This is already another shameful episode in Hollywood’s history. Later on, perhaps years from now, there will be expressions of regret (“Oh, yes, mistakes were made. There were unfortunate excesses”); Spacey may even be forgiven. Perhaps at a future Academy Awards ceremony he can come before an audience of the same people who drove him out, and exclaim through gritted teeth, like Charlie Chaplin at the 1972 Oscars, after his exile of twenty years, “You’re wonderful, sweet people.”

We argued when the Harvey Weinstein scandal erupted that this was not simply about Weinstein, that something else was going on, that something else was moving through this affair. Weinstein’s piggishness and wrongdoing were merely a pretext for the flourishing of all sorts of unhealthy, reactionary issues and pressures. The assault on Spacey is confirmation of that view.

We don’t make any bones about our sympathy with Kevin Spacey and our contempt for those inciting denunciations and urging on the witch-hunting hysteria.

http://www.wsws.org/en/articles/2017/11/01/spac-n01.html