Meet the Online Tracking Device That is Virtually Impossible to Block

A new kind of tracking tool, canvas fingerprinting, is being used to follow visitors to thousands of top websites, from WhiteHouse.gov to YouPorn.

(David Sleight/ProPublica)

Update: A YouPorn.com spokesperson said that the website was “completely unaware that AddThis contained a tracking software that had the potential to jeopardize the privacy of our users.” After this article was published, YouPorn removed AddThis technology from its website.

This story was co-published with Mashable.

A new, extremely persistent type of online tracking is shadowing visitors to thousands of top websites, from WhiteHouse.gov to YouPorn.com.

First documented in a forthcoming paper by researchers at Princeton University and KU Leuven University in Belgium, this type of tracking, called canvas fingerprinting, works by instructing the visitor’s Web browser to draw a hidden image. Because each computer draws the image slightly differently, the images can be used to assign each user’s device a number that uniquely identifies it.

 

Canvas Fingerprinting in Action

Watch your browser generate a unique fingerprint image. This is for informational purposes only and no fingerprint information is sent to ProPublica. (Mike Tigas, ProPublica)

See your browser’s fingerprintClick the button above and your computer and web browser will draw a ProPublica-designed canvas fingerprint.

 

Like other tracking tools, canvas fingerprints are used to build profiles of users based on the websites they visit — profiles that shape which ads, news articles, or other types of content are displayed to them.

But fingerprints are unusually hard to block: They can’t be prevented by using standard Web browser privacy settings or using anti-tracking tools such as AdBlock Plus.

The researchers found canvas fingerprinting computer code, primarily written by a company called AddThis, on 5 percent of the top 100,000 websites. Most of the code was on websites that use AddThis’ social media sharing tools. Other fingerprinters include the German digital marketer Ligatus and the Canadian dating site Plentyoffish. (A list of all the websites on which researchers found the code is here).

Rich Harris, chief executive of AddThis, said that the company began testing canvas fingerprinting earlier this year as a possible way to replace “cookies,” the traditional way that users are tracked, via text files installed on their computers.

“We’re looking for a cookie alternative,” Harris said in an interview.

Harris said the company considered the privacy implications of canvas fingerprinting before launching the test, but decided “this is well within the rules and regulations and laws and policies that we have.”

He added that the company has only used the data collected from canvas fingerprints for internal research and development. The company won’t use the data for ad targeting or personalization if users install the AddThis opt-out cookie on their computers, he said.

Arvind Narayanan, the computer science professor who led the Princeton research team, countered that forcing users to take AddThis at its word about how their data will be used, is “not the best privacy assurance.”

Device fingerprints rely on the fact that every computer is slightly different: Each contains different fonts, different software, different clock settings and other distinctive features. Computers automatically broadcast some of their attributes when they connect to another computer over the Internet.

Tracking companies have long sought to use those differences to uniquely identify devices for online advertising purposes, particularly as Web users are increasingly using ad-blocking software and deleting cookies.

In May 2012, researchers at the University of California, San Diego, noticed that a Web programming feature called “canvas” could allow for a new type of fingerprint — by pulling in different attributes than a typical device fingerprint.

How You Can Try to Thwart Canvas Fingerprinting

  • Use the Tor browser (Warning: can be slow)
  • Block JavaScript from loading in your browser (Warning: breaks a lot of web sites)
  • Use NoScript browser extension to block JavaScript from known fingerprinters such as AddThis (Warning: requires a lot of research and decision-making)
  • Try the experimental browser extension Chameleon that is designed to block fingerprinting (Warning: only recommended for tech-savvy users at this point)
  • Install opt-out cookies from known fingerprinters such as AddThis (Warning: fingerprint will likely still be collected, companies simply pledge not to use the data for ad targeting or personalization)

In June, the Tor Project added a feature to its privacy-protecting Web browser to notify users when a website attempts to use the canvas feature and sends a blank canvas image. But other Web browsers did not add notifications for canvas fingerprinting.

A year later, Russian programmer Valentin Vasilyev noticed the study and added a canvas feature to freely available fingerprint code that he had posted on the Internet. The code was immediately popular.

But Vasilyev said that the company he was working for at the time decided against using the fingerprint technology. “We collected several million fingerprints but we decided against using them because accuracy was 90 percent,” he said, “and many of our customers were on mobile and the fingerprinting doesn’t work well on mobile.”

Vasilyev added that he wasn’t worried about the privacy concerns of fingerprinting. “The fingerprint itself is a number which in no way is related to a personality,” he said.

AddThis improved upon Vasilyev’s code by adding new tests and using the canvas to draw a pangram “Cwm fjordbank glyphs vext quiz” — a sentence that uses every letter of the alphabet at least once. This allows the company to capture slight variations in how each letter is displayed.

AddThis said it rolled out the feature to a small portion of the 13 million websites on which its technology appears, but is considering ending its test soon. “It’s not uniquely identifying enough,” Harris said.

AddThis did not notify the websites on which the code was placed because “we conduct R&D projects in live environments to get the best results from testing,” according to a spokeswoman.

She added that the company does not use any of the data it collects — whether from canvas fingerprints or traditional cookie-based tracking — from government websites including WhiteHouse.gov for ad targeting or personalization.

The company offered no such assurances about data it routinely collects from visitors to other sites, such as YouPorn.com. YouPorn.com did not respond to inquiries from ProPublica about whether it was aware of AddThis’ test of canvas fingerprinting on its website.

Read our recent coverage about how online tracking is getting creepier, how Facebook has been tracking you, and what tools to use to protect yourself.

More musicians are taking aim at the rates paid by Spotify and Pandora, and warning whole genres are in danger

It’s not just David Byrne and Radiohead: Spotify, Pandora and how streaming music kills jazz and classical

It's not just David Byrne and Radiohead: Spotify, Pandora and how streaming music kills jazz and classical

David Byrne, Thom Yorke (Credit: Reuters/Hugo Correia/AP/Chris Pizzello/Photo collage by Salon)

After years in which tech-company hype has drowned out most other voices, the frustration of musicians with the digital music world has begun to get a hearing. We know now that many rockers don’t like it. Less discussed so far is the trouble jazz and classical musicians — and their fans — have with music streaming, which is being hailed as the “savior” of the music business.

But between low royalties, opaque payout rates, declining record sales and suspicion that the major labels have cut deals with the streamers that leave musicians out of the equation, anger from the music business’s artier edges is slowing growing. It’s further proof of the lie of the “long tail.” The shift to digital is also helping to isolate these already marginalized genres: It has a decisive effect on what listeners can find, and on whether or not an artist can earn a living from his work. (Music streaming, in all genres, is up 42 percent for the first half of this year, according to Nielsen SoundScan, against the first half of 2013. Over the same period, CD sales fell 19.6 percent, and downloads, the industry’s previous savior, were down 11.6 percent.)

Only a very few classical artists have been outspoken on the issue so far: San-Francisco-based Zoe Keating — a tech-savvy, DIY, Amanda Palmer of the cello — has blown the whistle on the tiny amounts the streaming services pay musicians. Though she’s exactly the kind of artist who should be cashing in on streaming, since she releases her own music, tours relentlessly, and has developed a strong following since her days with rock band Rasputina, only 8 percent of  her last year’s earnings from recorded music came from streaming. The iTunes store, which pays out in small amounts since most purchases are for 99 cent songs, paid her about six times what she earned from streaming. (More than 400,000 Spotify streams earned her $1,764; almost 2 million YouTube views generated $1,248.)

For jazz and classical players without Keating’s entrepreneurial energy or larger cult following, the numbers are even bleaker. “It feels awful,” says Christina Courtin, a Julliard-trained violinist who plays in classical groups and has put out albums on the Nonesuch and Hundred Pockets labels. “I don’t count on that as a way to make money — I don’t see how it makes sense for a musician. It’s pretty dark — no one’s selling as much as they were even five years ago.”



Some artists remember a very different world. “I used to sell CDs of my music,” says Richard Danielpour, a celebrated American composer who has written an opera with Toni Morrison and once had an exclusive recording contract with Sony Classical. “And now we get nothing.”

It’s not just streaming, but the larger digital era that’s burying record stores, radio and recordings – and it’s hitting jazz and classical musicians especially hard. For some young musicians launching their careers, the “exposure” they get on Pandora or YouTube brings them employment or a fan base somewhere down the line. But many wait in vain. And like their counterparts in the pop world, musicians typically cannot opt out of streaming and the rest of the new world.

“One of the big reasons musicians kept control of their publishing was for the possibility that at least we would be paid when those songs were played in media outlets,” says jazz pianist Jason Moran, currently the jazz advisor for the Kennedy Center. “Back in the day, Fats Waller, and tons of other artists were robbed of their publishing. This is the new version of it, but on a much more wider scale.”

*

In some ways, the trouble in these genres resembles the problems experienced by any non-superstar musicians. Royalties on steaming services, for instance, are notoriously low. “All of my colleagues — composers and arrangers — are seeing huge cuts in their earnings,” says Paul Chihara, a veteran composer who until recently headed UCLA’s film-music program. “In effect, we’re not getting royalties. It’s almost amusing some of the royalty checks I get.” One of the last checks he got was for $29. “And it bounced.”

The pain is especially acute for indie musicians. While some jazz and classical labels are owned by one of the three majors — Blue Note and Deutsche Grammophon, for example, are now part of the Universal Music Group — the vast majority of musicians record for independent labels. And the indies have been largely left out of the sweet deals struck with the streamers. Most of those deals are opaque; the informed speculation says that these arrangement are not good for musicians, especially those not on the few remaining majors.

“Musicians in niche categories need to be fearful of the agreements that labels are signing with streaming services,” says music historian Ted Gioia, who has also recorded as a jazz pianist. Some of these deals, he suspects, allow the steamers to pay nothing at all to some artists, including most who record jazz and classical music. “The record labels could make a case that they don’t need to share royalties with artists whose sales don’t cross a certain threshold. If you’re Lady Gaga or Justin Bieber, you have no problem. But otherwise, you would get no royalties. The nature of these deals are that the rich get richer and the poor get poorer.”

Labels that own substantial back catalog — old Pink Floyd and Eagles albums, and earlier music that no longer require royalty payments to musicians — have likely cut much better deals than labels that primarily put out new music, especially those in non-pop genres. Says Gioia: “I suspect we’d find agreements where the labels say, [to the streamers], ‘You can have our whole catalog for $5 million, plus you pay us a fraction of a penny for any song that streams more than a million times.’” You don’t have to be a conspiracy theorist to think this way: The major labels have a number of weaselly little tricks like this one, sometimes called a “digital breakage,” in which musicians get nothing.

Moran compares the appearance of Spotify on the scene to the arrival of Wal-Mart to an American small-town: The new model undercuts the existing ones, and helps put smaller, independent stores out of business.

Indie labels are equally vulnerable. Pi Recordings is a jazz label that puts out recordings by the cream of the avant-garde, including Henry Threadgill, Marc Ribot and Rudresh Mahanthappa. It’s been described as one of the rare success stories in a dark time. But Yulun Wang, who co-runs the label, is not sure how they can stand up against the streaming onslaught.

“You have the guy who buys 20 jazz records a year — $300 a year,” Wang says. “He might buy one or two of our albums. If I convert that guy to Spotify – he’s now getting all-you-can-eat for $120. And the proportion that comes to me is literally pennies. That’s when it over. That’s will force labels like ours to either change the way we do things significantly.”

The digital enthusiasts say that labels need to “adjust” to the new world – by taking a piece of musicians’ touring, or cutting “360 deals” in which they get part of every strand of an artist’s revenue stream. But for jazz artists, touring outside New York and a few other cities does not yield much. “If I take 15 percent of someone making $30,000, it’s just less money in their pocket.” At a certain point, the artist can no longer pay the rent. “That’s when it’s game over.”

*

But it’s not just a problem of scale. There are distinctive qualities to jazz and classical music that make it a difficult fit to the digital world as it now exists, and that punish musicians and curious fans alike. To Jean Cook, a new-music violinist, onetime Mekon, and director of programs for the Future Musical Coalition, it further marginalizes these already peripheral styles, creating what she calls “invisible genres.”

It doesn’t matter if it’s Spotify, Pandora, iTunes, or Beats Music, she says. “Any music service that’s serving pop and classical music will not serve classical music well.” The problem is the nature of classical music, and jazz as well, and the way they differ from pop music. They all make different use of metadata – a term most people associate with Edward Snowden’s NSA revelations, but which have a profound importance to streaming services. Put most simply: Classical music and jazz are such a mismatch for existing streaming services, it’s almost impossible to find stuff. Cook realized this when she got a recommendation from a music lover, and found herself falling down an online labyrinth trying to find it.

Here’s a good place to start: Say you’re looking for a bedrock recording, the Beethoven Piano Concertos, with titan Maurizio Pollini on piano. Who is the “artist” for this one? Is it the Berlin Philharmonic, or Claudio Abbado, who conducts them? Is it Pollini? Or is it Beethoven himself? If you can see the entire record jacket, you can see who the recording includes. Otherwise, you could find yourself guessing.

Or, if you want music written the Russian late romantic, do you want Rachmaninoff, or Rachmaninoff? Chances are, your service will have one but not the other. And what do you call the movements of a symphony or chamber piece? By their Roman numeral? Or by names like andante or scherzo?

“These services are built to serve the largest segments of the marketplace — pop, country and hip hop,” says Cook. None of these have this kind of complicated structure.

Jazz offers similar difficulties, she says. Say you want to find recordings by pianist Bill Evans. You can find a bunch of them — but nothing linking him to “Kind of Blue,” perhaps the most important (and, in vinyl and CD form, certainly the bestselling) recording he was ever a part of. Evans shaped that album profoundly. You won’t find John Coltrane — another key voice on that session — there either, since it’s a Miles Davis record.

“Listing sidemen is something that is just not built into the architecture,” says Cook. It’s not a small problem. “I can’t think of a single example of a jazz musician who was not a sideman at one point in their career. We’re talking about a significant portion of jazz history that can’t get out.” It also makes you wonder — what are the chances that sidemen, or their heirs, get paid when things are streamed? And what do potential music consumers do when they can’t find what they’re looking for?

There used to be a solution to this. “Go back to the days of record stores,” says Gioia, “and customers could learn a lot from browsing the racks, or asking the serious music fans who worked there.” (Classical record stores, then and now, tended to have their recordings organized by composer rather than group.) The algorithms for specialized genres — classical, reggae, acoustic blues, Brazilian music —are hopeless, he says.

“These days, you have to know exactly what you’re looking for. If you want something by Beyonce or Miley Cyrus, it’s not hard. If you’re interested in niche music, you can be in the position of not knowing what’s out there. I still find myself missing important releases by musicians I care about. Streaming provides access to millions of hours of music, but it’s easy to get lost in it.”

If dedicated fans like Cook and Gioia have these problems, what will happen to the casual or new fans that every genre needs in order to stay alive? They’ll simply drift away to the stuff that’s being beamed at them by advertisers around the clock.

*

Even some of those frightened and demoralized by the digital transition think things can be improved for jazz and classical music.

So far, Wang’s solution has been to drop out. It’s nearly impossible for artists to withdraw, but as a label head, he can pull all of Pi’s music off Spotify. After three or four months on the service, two years back, he received a royalty statement of about $25 for all of it, and decided it just wasn’t worth it.

“What we found when we got out of Spotify — after these dire warnings — was that our sales went up; they absolutely jumped.”

He’s very familiar with the pressure to give art away. “We were always told you need to get as many audiences as possible … With the exposure argument, you’re told, ‘You could become the next Lady Gaga!’ It’s like playing Lotto — buy dollar tickets, and you could hit it big. In jazz, keep buying dollar tickets so you can win a dollar fifty.”

Cook sees the poor fit of these genres to streaming services as part of a larger phenomenon: Their radio playlists don’t show up in Billboard, their ticket receipts and album sales are often not reported to SoundScan and PollStar, and their awards on the Grammys are rarely televised. “This affects the visibility of jazz and classical music, and the way they are viewed by the rest of the industry.”

Part of a solution involves getting the data straight. “There is no database that tells you who played on what recording, and who wrote each song. ASCAP has one piece of the puzzle; iTunes has another. If you’ve got a music service, you need this, because you need to know who to pay. You need to tell listeners who they’re listening too. And if it’s not consistent, it’s not searchable.”

She wonders how it happens, though, even with open-source software that makes it easier. “The classical community needs to say, ‘This is a good index, instead of the crap the record labels are sending you. It requires a coordinated effort by a lot of different parties.”

Composer Danielpour says that classical people should not give up on recording work and trying to get on the radio. “Even though radio is a mid-20th century medium, for classical music it’s still a powerful source of revenue,” especially in Europe, where royalties are typically better. He recently returned from a trip to St. Petersburg, Russia. “For European and Russian audiences, classical music is religion. For us in America, it’s entertainment.”

Gioia, a former businessman, is pragmatic and forward looking. “My view is that the only solution for this, that is equitable for everyone, is for the music labels, in partnership with the artists, to control their own streaming,” says Gioia. “They need to bypass Silicon Valley.

“They need to work together with a new model, to control distribution and not rely on Apple, Amazon and everyone else. The music industry has always hated technology — they hated radio when it came out — and have always dragged their feet. They need to embrace technology and do it better.”

 

Scott Timberg, a longtime arts reporter in Los Angeles who has contributed to the New York Times, runs the blog Culture Crash. His book, “Culture Crash: The Killing of the Creative Class” comes out in January. Follow him on Twitter at @TheMisreadCity

http://www.salon.com/2014/07/20/its_not_just_david_byrne_and_radiohead_spotify_pandora_and_how_streaming_music_kills_jazz_and_classical/?source=newsletter

THE BULLSHIT MACHINE

Here’s a tiny confession. I’m bored.

Yes; I know. I’m a sinner. Go ahead. Burn me at the stake of your puritanical Calvinism; the righteously, thoroughly, well, boring idea that boredom itself is a moral defect; that a restless mind is the Devil’s sweatshop.

There’s nothing more boring than that; and I’ll return to that very idea at the end of this essay; which I hope is the beginning.

What am I bored of? Everything. Blogs books music art business ideas politics tweets movies science math technology…but more than that: the spirit of the age; the atmosphere of the time; the tendency of the now; the disposition of the here.

Sorry; but it’s true. It’s boring me numb and dumb.

A culture that prizes narcissism above individualism. A politics that places “tolerance” above acceptance. A spirit that encourages cynicism over reverence. A public sphere that places irony over sincerity. A technosophy that elevates “data” over understanding. A society that puts “opportunity” before decency. An economy that…you know. Works us harder to make us poorer at “jobs” we hate where we make stuff that sucks every last bit of passion from our souls to sell to everyone else who’s working harder to get poorer at “jobs” they hate where they make stuff that sucks every last bit of passion from their souls.

To be bored isn’t to be indifferent. It is to be fatigued. Because one is exhausted. And that is precisely where—and only where—the values above lead us. To exhaustion; with the ceaseless, endless, meaningless work of maintaining the fiction. Of pretending that who we truly want to be is what everyone believes everyone else wants to be. Liked, not loved; “attractive”, not beautiful; clever, not wise; snarky, not happy; advantaged, not prosperous.

It exhausts us; literally; this game of parasitically craving everyone’s cravings. It makes us adversaries not of one another; but of ourselves. Until there is nothing left. Not of us as we are; but of the people we might have been. The values above shrink and reduce and diminish our potential; as individuals, as people, societies. And so I have grown fatigued by them.

Ah, you say. But when hasn’t humanity always suffered all the above? Please. Let’s not mince ideas. Unless you think the middle class didn’t actually thrive once; unless you think that the gentleman that’s made forty seven Saw flicks (so far) is this generation’s Alfred Hitchcock; unless you believe that this era has a John Lennon; unless you think that Jeff Koons is Picasso…perhaps you see my point.

I’m bored, in short, of what I’d call a cycle of perpetual bullshit. A bullshit machine. The bullshit machine turns life into waste.

The bullshit machine looks something like this. Narcissism about who you are leads to cynicism about who you could be leads to mediocrity in what you do…leads to narcissism about who you are. Narcissism leads to cynicism leads to mediocrity…leads to narcissism.

Let me simplify that tiny model of the stalemate the human heart can reach with life.

The bullshit machine is the work we do only to live lives we don’t want, need, love, or deserve.

Everything’s work now. Relationships; hobbies; exercise. Even love. Gruelling; tedious; unrelenting; formulaic; passionless; calculated; repetitive; predictable; analysed; mined; timed; performed.

Work is bullshit. You know it, I know it; mankind has always known it. Sure; you have to work at what you want to accomplish. But that’s not the point. It is the flash of genius; the glimmer of intuition; the afterglow of achievement; the savoring of experience; the incandescence of meaning; all these make life worthwhile, pregnant, impossible, aching with purpose. These are the ends. Work is merely the means.

Our lives are confused like that. They are means without ends; model homes; acts which we perform, but do not fully experience.

Remember when I mentioned puritanical Calvinism? The idea that being bored is itself a sign of a lack of virtue—and that is, itself, the most boring idea in the world?

That’s the battery that powers the bullshit machine. We’re not allowed to admit it: that we’re bored. We’ve always got to be doing something. Always always always. Tapping, clicking, meeting, partying, exercising, networking, “friending”. Work hard, play hard, live hard. Improve. Gain. Benefit. Realize.

Hold on. Let me turn on crotchety Grandpa mode. Click.

Remember when cafes used to be full of people…thinking? Now I defy you to find one not full of people Tinder—Twitter—Facebook—App-of-the-nanosecond-ing; furiously. Like true believers hunched over the glow of a spiritualized Eden they can never truly enter; which is precisely why they’re mesmerized by it. The chance at a perfect life; full of pleasure; the perfect partner, relationship, audience, job, secret, home, career; it’s a tap away. It’s something like a slot-machine of the human soul, this culture we’re building. The jackpot’s just another coin away…forever. Who wouldn’t be seduced by that?

Winners of a million followers, fans, friends, lovers, dollars…after all, a billion people tweeting, updating, flicking, swiping, tapping into the void a thousand times a minute can’t be wrong. Can they?

And therein is the paradox of the bullshit machine. We do more than humans have ever done before. But we are not accomplishing much; and we are, it seems to me, becoming even less than that.

The more we do, the more passive we seem to become. Compliant. Complaisant. As if we are merely going through the motions.

Why? We are something like apparitions today; juggling a multiplicity of selves through the noise; the “you” you are on Facebook, Twitter, Tumblr, Tinder…wherever…at your day job, your night job, your hobby, your primary relationship, your friend-with-benefits, your incredibly astonishing range of extracurricular activities. But this hyperfragmentation of self gives rise to a kind of schizophrenia; conflicts, dissocations, tensions, dislocations, anxieties, paranoias, delusions. Our social wombs do not give birth to our true selves; the selves explosive with capability, possibility, wonder.

Tap tap tap. And yet. We are barely there, at all; in our own lives; in the moments which we will one day look back on and ask ourselves…what were we thinking wasting our lives on things that didn’t matter at all?

The answer, of course, is that we weren’t thinking. Or feeling. We don’t have time to think anymore. Thinking is a superluxury. Feeling is an even bigger superluxury. In an era where decent food, water, education, and healthcare are luxuries; thinking and feeling are activities to costly for society to allow. They are a drag on “growth”; a burden on “productivity”; they slow down the furious acceleration of the bullshit machine.

And so. Here we are. Going through the motions. The bullshit machine says the small is the great; the absence is the presence; the vicious is the noble; the lie is the truth. We believe it; and, greedily, it feeds on our belief. The more we feed it, the more insatiable it becomes. Until, at last, we are exhausted. By pretending to want the lives we think we should; instead of daring to live the lives we know we could.

Fuck it. Just admit it. You’re probably just as bored as I am.

Good for you.

Welcome to the world beyond the Bullshit Machine.

Thinking of Trying to Make Money Off Airbnb or Uber? Read This First


The so-called ‘sharing economy’ is becoming a booming industry for middlemen, but for you, it’s complicated.

Photo Credit: Shutterstock.com

Joining the sharing economy as a provider of services – accommodation, transportation or whatever else the market calls for – gives you a chance to make money while being part of a “movement”. It sounds tremendously appealing, doesn’t it?

The companies being built around this new zeitgeist have different enough business models for it to be worth discussing them as if they do, indeed, fall into a different category from more traditional bastions of capitalism. To some, the appeal is the ability to feel like part of a community by pooling their resources: helping a neighbor or network member to cut the cost of everything from a pricey textbook to a baby stroller, or a ride from San Francisco to LA and an overnight stay in someone’s spare room. It’s a far cry from shopping on Amazon, and checking for plane fares on JetBlue and shopping around for hotel bargains on Priceline – somehow morepersonal.

But make no mistake: it’s a business. And you forget that at your peril, regardless of how you’re participating in the sharing economy.

Here’s the bottom line: none of the businesses that have sprung up to serve the sharing economy are 501c3 non-profit entities. Rather, they are corporations whose goal is to make a profit out of a much less formal sharing economy that already existed. Long before Airbnb was launched in 2008, a friend of mind traveled across Europe using a couch-surfing style network called Servus. I’ve formed some lasting friendships with people with a free Airbnb-style network, Hospitality Club, that offers hosts and guests the chance to review each other, Airbnb style. Airbnb has just formalized those arrangements, while ride-sharing companies like BlaBla Car have done the same with those old-fashioned ride share boards on walls or online – and build in a profit for the middleman.

But you don’t get to become one of the most valuable venture capital-based businesses in the world, as Airbnb has done, and to be worth an estimated $10bn (more than some hotel chains) if all you are is part of a “movement”. Nope, you have to have found a way to make being the middleman pay off very handsomely indeed – and that’s capitalism 101, not a movement.

All of which means that if you’re doing business with Airbnb – or Uber, or Parking Panda, or Liquid, or any of the other sharing economy enterprises springing up – you need to think of it in those terms, too.

First of all, while you may think of this as just generating a bit of extra income on the side – a way to pay off your student loans, to make your summer vacation pay for itself, to fund your weekends out with friends or to help save up to pay for a wedding or a downpayment for your house or car – the IRS won’t see it that way.

And if you think the IRS won’t ever know, well, let me disabuse you of that right now. You’ll fill out tax forms – and come January, you’ll get a 1099 form. Depending on the figure on it, you may end up kissing your expected refund goodbye, or facing an unexpected tax liability. If that 1099 form doesn’t show up? Don’t heave a sigh of relief and fail to report that income. If you think an unexpected tax liability is bad, getting on the wrong side of the IRS is exponentially worse.

The best idea of all is to talk to your accountant and ask for their input. At what point does sharing economy income change your tax picture by putting you in a higher tax bracket? Are there any additional writeoffs you should be aware of? Sure, this might cost you an hour of her time – but it could save you a lot of money down the road. And remember, you’re thinking of this as a business – just like the Airbnbs, Ubers and others who are quite happy to scoop up a percentage of what you collect.

Before you delve into the sharing economy, consider the regulations governing the micro-business that you’re choosing to enter and how they might affect you. In New York, for instance, it’s illegal to rent out a room in your apartment unless you’re there during the guest’s stay; generally, apartment rentals of under 30 days are illegal. (Depending on who you ask, this is an attempt either to make sure housing stock remains available to people who want to live in it, or a result of fierce lobbying by the hotel industry.) That doesn’t stop people from publicly violating both the law and the terms of their own leases – but Airbnb has made it crystal clear that they are on their own when it comes to sorting out those problems. So if you’ve got a landlord – or neighbors – who you know are just itching to bid you farewell for whatever reason, handing them an ironclad reason to do so might be foolhardy.

(Meanwhile, Airbnb is confronting some of these issues itself: this past week Barcelona slapped a fine on the company for violating laws that require rooms rented to tourists be registered with government authorities.)

What does set this new breed of business apart from its peers and predecessors is the emphasis on collaboration: hence, the alternative moniker of “collaborative consumption”. That’s a reason to assume that it’s less businesslike in nature (just as the Internet startups of yore were no less focused on making millions just because their founders wore khakis instead of suits). What it means for those of us hoping to make a much smaller amount of money alongside the capitalist creators of these businesses is that marketing may matter much more than before. Expectations are pretty low for customer “service” from traditional businesses; they’re higher from your peers in the sharing economy community who will be rating things like the cleanliness of your home and the promptness with which you respond to queries.

The “sharing economy” isn’t going anywhere, and the temptation to become a micro-entrepreneur is only going to grow. But if you’re on the verge of succumbing to temptation, ask yourself whether you’re ready to view this as a business. If not, you’re probably not ready to deal with the risks you’ll be taking onboard along with the much more widely touted rewards.

http://www.alternet.org/economy/thinking-trying-make-money-airbnb-or-uber-read-first?akid=12016.265072.GVVEly&rd=1&src=newsletter1011288&t=13&paging=off&current_page=1#bookmark

Here are the states where you are most likely to be wiretapped

According to the Administrative Office of the U.S. Court’s Wiretap Report, here’s where wiretapping occurs the most

 

Here are the states where you are most likely to be wiretapped

In terms of wiretapping — with a warrant — it turns out some states use the tactic far more than others.

The Administrative Office of the U.S. Court released its “Wiretap Report” for the year 2013, and it turns out that Nevada, California, Colorado and New York account for nearly half of all wiretap applications on portable devices in the United States. Add in New Jersey, Georgia and Florida and you have 80 percent of the country’s applications for wiretaps. A chart from Pew Research can be viewed here.

Overall, according to the report, wiretaps were up in 2013:

“The number of federal and state wiretaps reported in 2013 increased 5 percent from 2012. A total of 3,576 wiretaps were reported as authorized in 2013, with 1,476 authorized by federal judges and 2,100 authorized by state judges.”

The report also found that in terms of federal applications The Southern District of California was responsible for 8 percent of the applications, approved by federal judges — the most by a single district in the country.

In terms of the nation, Pew Research reports:

“When we factor in population, Nevada leads the nation with 38 mobile wiretaps for every 500,000 people. Most Nevada wiretaps (187) were sought by officials in Clark County, home to Las Vegas; federal prosecutors in the state obtained authorization for 26 more, though only one was actually installed.”

The overwhelming majority of the wiretaps, nationwide — 90 percent, according to Pew Research — were requested to monitor drug-related criminal activity. Pew also reported that the wiretaps resulted in 3,744 arrests and 709 convictions.

Most of the wiretaps were for “portable devices” which included mobile phones and digital pagers, according to the report.



The states where no wiretaps were requested include Hawaii, Montana, North Dakota, South Dakota and Vermont.

Of course, the report only highlights wiretaps that require a warrant, and not those done without.

h/t Gizmodo, Pew Research, U.S. Courts

 

http://www.salon.com/2014/07/14/here_are_the_sates_where_you_are_most_likely_to_be_wiretapped/?source=newsletter

 

Could you “free” yourself of Facebook?

A 99-day challenge offers a new kind of social media experiment

Could you "free" yourself of Facebook?
(Credit: LoloStock via Shutterstock)

Let’s try a new experiment now, Facebook. And this time, you’re the subject.

Remember just last month, when the monolithic social network revealed that it had been messing with its users’ minds as part of an experiment? Writing in PNAS, Facebook researchers disclosed the results of a study that showed it had tinkered with the news feeds of nearly 700,000 users, highlighting either more positive or more negative content, to learn if “emotional contagion occurs without direct interaction between people.” What they found was that “When positive expressions were reduced, people produced fewer positive posts and more negative posts; when negative expressions were reduced, the opposite pattern occurred.” More significantly, after the news of the study broke, they discovered that people get pretty creeped out when they feel like their personal online space is being screwed with, and that their reading and posting activity is being silently monitored and collected – even when the terms of service they agreed to grant permission to do just that. And they learned that lawmakers in the U.S. and around the world question the ethics of Facebook’s intrusion.

Now, a new campaign out of Europe is aiming to do another experiment involving Facebook, its users and their feelings. But this time Facebook users aren’t unwitting participants but willing volunteers. And the first step involves quitting Facebook. The 99 Days of Freedom campaign started as an office joke at Just, a creative agency in the Netherlands. But the company’s art director Merijn Straathof says it quickly evolved into a bona fide cause. “As we discussed it internally, we noted an interesting tendency: Everyone had at least a ‘complicated’ relationship with Facebook. Whether it was being tagged in unflattering photos, getting into arguments with other users or simply regretting time lost through excessive use, there was a surprising degree of negative sentiment.” When the staff learned that Facebook’s 1.2 billion users “spend an average of 17 minutes per day on the site, reading updates, following links or browsing photos,” they began to wonder what that time might be differently applied to – and whether users would find it “more emotionally fulfilling.”



The challenge – one that close to 9,000 people have already taken – is simple. Change your FB avatar to the “99 Days of Freedom” one to let friends know you’re not checking in for the next few months. Create a countdown. Opt in, if you wish, to be contacted after 33, 66 and 99 days to report on your satisfaction with life without Facebook. Straathof says everyone at Just is also participating, to “test that one firsthand.”

Straathof and company say the goal isn’t to knock Facebook, but to show users the “obvious emotional benefits to moderation.” And, he adds, “Our prediction is that the experiment will yield a lot of positive personal experiences and, 99 days from now, we’ll know whether that theory has legs.” The anecdotal data certainly seems to support it. Seductive as FB, with its constant flow of news and pet photos, may be, you’d be hard-pressed to find a story about quitting it that doesn’t make getting away from it sound pretty great. It’s true that grand experiments, especially of a permanent nature, have never gotten off the ground. Four years ago, a group of disgruntled users tried to gather momentum for a Quit Facebook Day that quietly went nowhere. But individual tales certainly make a compelling case for, if not going cold turkey, at least scaling back. Elizabeth Lopatto recently wrote in Forbes of spending the past eight years Facebook free and learning that “If you really are interested in catching up with your friends, catch up with your friends. You don’t need Facebook to do it.” And writing on EliteDaily this past winter, Rudolpho Sanchez questioned why “We allow our successes to be measured in little blue thumbs” and declared, “I won’t relapse; I’ve been liberated. It’s nice not knowing what my fake friends are up to.” Writing a few weeks later in Business Insider, Dylan Love, who’d been on FB since he was an incoming college student 10 years ago, gave it up and reported his life, if not improved, remarkably unchanged, “except I’m no longer devoting mental energy to reading about acquaintances from high school getting married or scrolling through lots of pictures of friends’ vacation meals.” And if you want a truly persuasive argument, try this: My teenager has not only never joined Facebook, she dismissively asserts that she doesn’t want to because “It’s for old people.”

Facebook, of course, doesn’t want you to consider that you might be able to maintain your relationships or your sense of delight in the world without it. When my mate and I went away for a full week recently, we didn’t check in on social media once the whole time. Every day, with increasing urgency, we received emails from Facebook alerting us to activity in our feeds that we surely wanted to check. And since I recently gutted my friend list, I’ve been receiving a bevy of suggested people I might know. Why so few friends, lonely lady? Why so few check-ins? Don’t you want more, more, more?

I don’t know if I need to abandon Facebook entirely – I like seeing what people I know personally and care about are up to, especially those I don’t get to see in the real world that often. That connection has often been valuable, especially through our shared adventures in love, illness and grief, and I will always be glad for it. But a few months ago I deleted the FB app, which makes avoiding Facebook when I’m not at my desk a no-brainer. No more stealth checking my feed from the ladies’ room. No more spending time expressing my “like” of someone’s recent baking success when I’m walking down the street. No more “one more status update before bed” time sucks. And definitely no more exasperation when FB insistently twiddles with my news feed to show “top stories” when I prefer “most recent.” It was never a huge part of my life, but it’s an even smaller part of it now, and yeah, it does feel good. I recommend it. Take Just’s 99-day challenge or just a tech Sabbath or just scale back a little. Consider it an experiment. One in which the user, this time, is the winner.

Mary Elizabeth Williams Mary Elizabeth Williams is a staff writer for Salon and the author of “Gimme Shelter: My Three Years Searching for the American Dream.” Follow her on Twitter: @embeedub.

http://www.salon.com/2014/07/11/could_you_free_yourself_of_facebook/?source=newsletter

Facebook Is Studying You

 …Your Mom, Your Makeout Buddy, and Your 9/11 Conspiracy Theories

| Thu Jul. 10, 2014 6:00 AM ED

Facebook users and privacy advocates erupted in anger recently after New Scientist drew attention to a 2012 study in which Facebook researchers had attempted to manipulate users’ moods. “The company purposefully messed with people’s minds,” one privacy group complained to the Federal Trade Commission.

But the mood study is far from the only example of Facebook scrutinizing its users—the company has been doing that for years, examining users’ ethnicities, political views, romantic partners, and even how they talk to their children. (Unlike the mood study, the Facebook studies listed below are observational; they don’t attempt to change users’ behavior.) Although it’s unlikely Facebook users have heard about most of these studies, they’ve consented to them; the social network’s Data Use Policy states: “We may use the information we receive about you…for internal operations, including troubleshooting, data analysis, testing, research and service improvement.”

Below are five things Facebook researchers have been studying about Facebook users in recent years. (Note that in each of these studies, data was analyzed in aggregate and steps were taken to hide personally identifiable information.)

1. Your significant others (and whether the relationship will last): In October 2013, Facebook published a study in which researchers tried to guess who users were in a relationship with by looking at the users’ Facebook friends. For the study, Facebook researchers randomly chose 1.3 million users who had between 50 and 2,000 friends, were older than 20, and described themselves as married, engaged, or in a relationship. To guess whom these users were dating, the researchers analyzed which of the users’ friends knew each other—and which ones didn’t. You might share a ton of college friends with your old college roommate on Facebook, for example. But your boyfriend might be Facebook friends with your college friends, your coworkers, and your mom—people who definitely don’t know each other. Hence, he’s special.

Using this method, researchers were able to determine a person’s romantic partner with “high accuracy”—they were able to guess married users’ spouses 60 percent of the time by just looking at users’ friend networks. The researchers also looked at a subset of same-sex couples, to see whether that changed the results. (It didn’t.)

Facebook then decided to see whether it could use this method to predict whether a relationship is likely to last. For this part of the experiment, researchers looked at about 400,000 users who said that they were “in a relationship” and watched to see whether those users said they were single 60 days later. The researchers concluded that relationships in which Facebook’s model correctly identified the partner were less likely to break up, noting that the results were especially accurate when the two people had been together less than a year. (So basically, if you’re only introducing your boyfriend to your friends, and not your mom, your relationship might be less likely to last.)

2. How your mom talks to you: For this study, Facebook looked at how parents and their kids talk to each other Facebook. (Fun fact: On average, parent-child pairs wait 371 days after joining Facebook before becoming “friends.” Tell your little sister to stop ignoring your mom’s friend request.) The researchers examined three months of communication data pulled from September 2012. This data included comments, posts, and links shared on other users’ timelines, but not chat messages. According to the researchers, that wasn’t a privacy decision—chats are simply “too short and noisy for substantive language analysis.” Here are some of the top phrases that researchers noticed parents using in messages to their young children:

And here’s what parents are writing to their adult children, after they’ve developed filthy minds and drinking problems:

Facebook also noted that “what parents say when they’re not talking to their children is just as revealing; they use higher levels of ideology (agree but, obama, our government, policies, people need to, ethics), swearing and slang (ctfu, lmao, fucker, idk), and alcohol and sex terms (tequila, glass of wine, that ass, sexy). Ew.

3. Your ethnicity: In this older study, from 2010, researchers wrote that “the ethnicity of a user base is an important demographic indicator that can be used for marketing, compliance, and analytics as well as a scientific tool for understanding social behavior,” but lamented that “unfortunately, ethnic information is often unavailable for practical, legal, or political reasons.” So researchers came up with a solution: They determined the ethnic breakdown of US Facebook users by using people’s names and data provided by the Census. Tested on Facebook, the researchers’ proposed model “learned” that Latoya is more likely to be a black name and Barb is more likely to be white name. “Using both first and last names further improves estimates, largely by making better distinctions between White and Black,” the researchers wrote.

Once researchers had that data set, they started doing other studies. For example, the researchers examined pairs of people in romantic relationships on Facebook, as broken down by ethnicity. They also noted that their research suggested that “individuals’ ethnicity can be predicted through their social ties” and tried to predict users’ ethnicity based on the average ethnicity of their friends. (You should definitely not play this game at your next dinner party.) The researchers also compared users’ self-identified political views with their ethnicities, noting that “whites are more frequent in the Libertarian, Conservative, and Very Conservative categories.” The researchers did note that their research method comes with a caveat, “While ethnicity is an important factor in understanding user behavior, it is often only a proxy for other variables, such as socioeconomic status, or education. A complete analysis should control for all such factors.”

4. How you respond to conspiracy theories: In the spring of 2014, Facebook published a study on how rumors spread on the social network. The researchers looked at rumors identified by the rumor-debunking website Snopes.com that fall into a number of different categories, including politics, medicine, horror, “glurge” (i.e., sentimental stories that usually aren’t true), and 9/11. Then, the researchers found rumors posted on Facebook as photos, and gathered 249,035 comments in which people commented on the rumor with a valid link to Snopes.Ultimately, the researchers found reshared posts that received a comment that linked to Snopes were more likely to be deleted. So, feel free to keep telling your friends that the Russian sleep experiment story is BS.

5. If you’re deleting posts before you publish them: For this 2013 study, Facebook looked at how often users start typing a post or comment, and then at the last minute, decide not to publish it, which they called “self-censorship.” The researchers collected data from 3.9 million users over 17 days. They noted when someone started typing more than five characters in status update or comment box. The researchers recorded only whether text was entered, not the keystrokes or content. (This is the same way Gmail automatically saves drafts of your email, except that Facebook logs the presence of text, not actual content.) If the user didn’t share the post within 10 minutes, it was marked as self-censored. Researchers found that 71 percent of all users censored content at least once. The researchers also noted that women were less likely to self-censor, as were people with a more politically diverse set of friends.

How Modern Houses Can Watch You

http://homedesignlover.com/wp-content/uploads/2011/11/best-modern-house-design.jpg
Presto Vivace (882157) links to a critical look in Time Magazine at the creepy side of connected household technology. An excerpt:
A modern surveillance state isn’t so much being forced on us, as it is sold to us device by device, with the idea that it is for our benefit. … … Nest sucks up data on how warm your home is. As Mocana CEO James Isaacs explained to me in early May, a detailed footprint of your comings and goings can be inferred from this information. Nest just bought Dropcam, a company that markets itself as a security tool allowing you to put cameras in your home and view them remotely, but brings with it a raft of disquieting implications about surveillance. Automatic wants you to monitor how far you drive and do things for you like talk to your your house when you’re on your way home from work and turn on lights when you pull into your garage. Tied into the new SmartThings platform, a Jawbone UP band becomes a tool for remotely monitoring someone else’s activity. The SmartThings hubs and sensors themselves put any switch or door in play. Companies like AT&T want to build a digital home that monitors your security and energy use. … … Withings Smart Body Analyzer monitors your weight and pulse. Teddy the Guardian is a soft toy for children that spies on their vital signs. Parrot Flower Power looks at the moisture in your home under the guise of helping you grow plants. The Beam Brush checks up on your teeth-brushing technique.
Presto Vivaci adds, “Enough to make the Stasi blush. What I cannot understand is how politicians fail to understand what a future Kenneth Starr is going to do with data like this.”
~Slashdot~

Let’s nationalize Amazon and Google

Publicly funded technology built Big Tech

They’re huge and ruthless and define our lives. They’re close to monopolies. Let’s make them public utilities

Let's nationalize Amazon and Google: Publicly funded technology built Big Tech
Jeff Bezos (Credit: AP/Reed Saxon/Pakhnyushcha via Shutterstock/Salon)

They’re huge, they’re ruthless, and they touch every aspect of our daily lives. Corporations like Amazon and Google keep expanding their reach and their power. Despite a history of abuses, so far the Justice Department has declined to take antitrust actions against them. But there’s another solution.

Is it time to manage and regulate these companies as public utilities?

That argument’s already been made about broadband access. In her book “Captive Justice,” law professor Susan Crawford argues that “high-speed wired Internet access is as basic to innovation, economic growth, social communication, and the country’s competitiveness as electricity was a century ago.”

Broadband as a public utility? If not for corporate corruption of our political process, that would seem like an obvious solution. Instead, our nation’s wireless access is the slowest and costliest in the world.

But why stop there? Policymakers have traditionally considered three elements when evaluating the need for a public utility: production, transmission, and distribution. Broadband is transmission. What about production and distribution?

The Big Tech mega-corporations have developed what Al Gore calls the “Stalker Economy,” manipulating and monitoring as they go. But consider: They were created with publicly funded technologies, and prospered as the result of indulgent policies and lax oversight. They’ve achieved monopoly or near-monopoly status, are spying on us to an extent that’s unprecedented in human history, and have the potential to alter each and every one of our economic, political, social and cultural transactions.

In fact, they’re already doing it.

Public utilities? It’s a thought experiment worth conducting.

Big Tech was created with publicly developed technology.

No matter how they spin it, these corporations were not created in garages or by inventive entrepreneurs. The core technology behind them is the Internet, a publicly funded platform for which they pay no users’ fee. In fact, they do everything they can to avoid paying their taxes.



Big Tech’s use of public technology means that it operates in a technological “commons,” which they are using solely for its own gain, without regard for the public interest. Meanwhile the United States government devotes considerable taxpayer resource to protecting them – from patent infringement, cyberterrorism and other external threats.

Big Tech’s services have become a necessity in modern society.

Businesses would be unable to participate in modern society without access to the services companies like Amazon, Google and Facebook provide. These services have become public marketplaces.

For individuals, these entities have become the public square where social interactions take place, as well as the marketplace where they purchase goods.

They’re at or near monopoly status – and moving fast.

Google has 80 percent of the search market in the United States, and an even larger share of key overseas markets. Google’s browsers have now surpassed Microsoft’s in usage across all devices. It has monopoly-like influence over online news, as William Baker noted in the Nation. Its YouTube subsidiary dominates the U.S. online-video market, with nearly double the views of its closest competitor. (Roughly 83 percent of the Americans who watched a video online in April went to YouTube.)

Even Microsoft’s Steve Ballmer argued that Google is a “monopoly” whose activities were “worthy of discussion with competition authority.” He should know.

As a social platform, Facebook has no real competitors. Amazon’s book business dominates the market. E-books are now 30 percent of the total book market, and its Kindle e-books account for 65 percent of e-book sales.  Nearly one book in five is an Amazon product – and that’s not counting Amazon’s sales of physical books. It has become such a behemoth that it is able to command discounts of more than 50 percent from major publishers like Random House.

They abuse their power.

The bluntness with which Big Tech firms abuse their monopoly power is striking. Google has said that it will soon begin blocking YouTube videos from popular artists like Radiohead and Adele unless independent record labels sign deals with its upcoming music streaming service (at what are presumably disadvantageous rates).   Amazon’s war on publishers like Hachette is another sign of Big Tech arrogance.

But what is equally striking about these moves is the corporations’ disregard for basic customer service. Because YouTube’s dominance of the video market is so large, Google is confident that even frustrated music fans have nowhere to go. Amazon is so confident of its dominance that it retaliated against Hachette by removing order buttons when a Hachette book came up (which users must find maddening) and lied about the availability of Hachette books when a customer attempts to order one. It also altered its search process for recommendations to freeze out Hachette books and direct users to non-Hachette authors.

Amazon even suggested its customers use other vendors if they’re unhappy, a move that my Salon colleague Andrew Leonard described as “nothing short of amazing – and troubling.”

David Stratfield of the New York Times asked, “When does discouragement become misrepresentation?” One logical answer: When you tell customers a product isn’t available, even though it is, or rig your sales mechanism to prevent customers from choosing the item they want.

And now Amazon’s using some of the same tactics against Warner Home Video.

They got there with our help.

As we’ve already noted, Internet companies are using taxpayer-funded technology to make billions of dollars from the taxpayers – without paying a licensing fee. As we reported earlier, Amazon was the beneficiary of tax exemptions that allowed it to reach its current monopolistic size.

Google and the other technology companies have also benefited from tax policies and other forms of government indulgence. Contrary to popular misconception, Big Tech corporations aren’t solely the products of ingenuity and grit. Each has received, and continues to receive, a lot of government largess.

The real “commodity” is us.

Most of Big Tech’s revenues come from the use of our personal information in its advertising business. Social media entries, Web-surfing patterns, purchases, even our private and personal communications add value to these corporations. They don’t make money by selling us a product. We are the product, and we are sold to third parties for profit.

Public utilities are often created when the resource being consumed isn’t a “commodity” in the traditional sense. “We” aren’t an ordinary resource. Like air and water, the value of our information is something that should be publicly shared – or, at a minimum, publicly managed.

Our privacy is dying … or already dead.

“We know where you are,” says Google CEO Eric Schmidt. “We know where you’ve been. We can more or less know what you’re thinking about.”

Facebook tracks your visits to the website of any corporate Facebook “partner,” stores that information, and uses it to track and manipulate the ads you see. Its mobile app also has a new, “creepy” feature that turns on your phone’s microphone, analyzes what you’re listening to or watching, and is capable of posting updates to your status like “Listening to Albert King” or “Watching ‘Orphan Black.’

Google tracks your search activity, an activity with a number of disturbing implications. (A competing browser that does not track searches called DuckDuckGo offers an illustrated guide to its competitors’ practices.)  If you use its Chrome browser, Google tracks your website visits too (unless you’re in “private” mode.)

Yasha Levine, who is tracking corporate data spying in his “Surveillance Valley” series, notes that “True end-to-end encryption would make our data inaccessible to Google, and grind its intel extraction apparatus to a screeching halt.” As the ACLU’s Christopher Soghoian points out: “It’s very, very difficult to deploy privacy protective policies with the current business model of ad supported services.”

As Levine notes, the widely publicized revelation that Big Data companies track rape victims was just the tip of the iceberg. They also track “anorexia, substance abuse, AIDS and HIV … Bedwetting (Enuresis), Binge Eating Disorder, Depression, Fetal Alcohol Syndrome, Genital Herpes, Genital Warts, Gonorrhea, Homelessness, Infertility, Syphilis … the list goes on and on and on and on.”

Given its recent hardball tactics, here’s a little-known development that should concern more people: Amazon also hosts 37 percent of the nation’s cloud computing services, which means it has access to the inner workings of the software that runs all sorts of businesses – including ones that handle your personal data.

For all its protestations, Microsoft is no different when it comes to privacy. The camera and microphone on its Xbox One devices were initially designed to be left on at all times, and it refused to change that policy until purchasers protested.

Privacy, like water or energy, is a public resource. As the Snowden revelations have taught us, all such resources are at constant risk of government abuse.  The Supreme Court just banned warrantless searches of smartphones – by law enforcement. Will we be granted similar protections from Big Tech corporations?

Freedom of information is at risk.

Google tracks your activity and customizes search results, a process that can filter or distort your perception of the world around you.  What’s more, this “personalized search results” feature leads you back to information sources you’ve used before, which potentially narrows our ability to discover new perspectives or resources.  Over time this creates an increasingly narrow view of the world.

What’s more, Google’s shopping tools have begun using “paid inclusion,” a pay-for-play search feature it once condemned as “evil.” Its response is to say it prefers not to call this practice “paid inclusion,” even though its practices appear to meet the Federal Trade Commission’s definition of the term.

As for Amazon, it has even manipulated its recommendation searches in order to retaliate against other businesses, as we’ll see in the next section.

The free market could become even less free.

Could Big Tech and its data be used to set user-specific pricing, based on what is known about an individual’s willingness to pay more for the same product? Benjamin Schiller of Brandeis University wrote a working paper last year that showed how Netflix could do exactly that. Grocery stores and other retailers are already implementing technology that offers different pricing to different shoppers based on their data profile.

For its part, Amazon is introducing a phone that will also tag the items around you, as well as the music and programs you hear, for you to purchase – from Amazon, of course. Who will be purchasing the data those phones collect about you?

They could hijack the future.

The power and knowledge they have accumulated is frightening. But the Big Tech corporations are just getting started. Google has photographically mapped the entire world. It intends to put the world’s books into a privately owned online library. It’s launching balloons around the globe that will bring Internet access to remote areas – on its terms. It’s attempting to create artificial intelligence and extend the human lifespan.

Amazon hopes to deliver its products by drone within the next few years, an idea that would seem preposterous if not for its undeniable lobbying clout. Each of these Big Tech corporations has the ability to filter – and alter – our very perceptions of the world around us. And each of them has already shown a willingness to abuse it for their own ends.

These aren’t just the portraits of futuristic corporations that have become drunk on unchecked power. It’s a sign that things are likely to get worse – perhaps a lot worse – unless something is done. The solution may lie with an old concept. It may be time to declare Big Tech a public utility.

 

Richard (RJ) Eskow is a writer and policy analyst. He is a Senior Fellow with the Campaign for America’s Future and is host and managing editor of The Zero Hour on We Act Radio.

http://www.salon.com/2014/07/08/lets_nationalize_amazon_and_google_publicly_funded_technology_built_big_tech/?source=newsletter